Articles by "American Standards"


Hardcore band AMERICAN STANARDS have been actively playing shows, touring, and releasing music for such a long time, that the band decided to end it not that long ago, releasing their latest album as well. The main man behind the band Brandon, (BrandonKellum.com) who has released his own book, has also discussed with us about why the band decided to call it quits, releasing their final album, playing shows and touring, the whole works is laid to rest in the video below.




 


Phoenix’s chaos-driven metalcore heavyweights American Standards have fired off one last surprise from their farewell record Future Orphans: a newly extended version of “Kodak Stare,” featuring the haunting vocal grit of Cleveland’s genre-defying Skuff Micksun.

This isn’t a remix. It’s not a stripped-down reprise. It’s the original song, still serrated with mathcore precision and hardcore fury, pushed further into emotional freefall. Skuff Micksun’s voice cuts into the track’s climactic breakdown like a second narrator crashing into the story, turning the song’s final act into a dialogue between two raw and unflinching perspectives.

“Skuff’s voice adds a whole new layer of urgency without changing the DNA of the track,” says frontman Brandon Kellum. “It’s like an echo from outside our world answering back.”

With this release, Future Orphans doesn’t just close, it sounds its death knell: “it’ll all be over soon.”

ABOUT SKUFF MICKSUN

Skuff Micksun blurs the lines between alt-rock grit and heart-wrenching vulnerability. With tracks like Magnificent and Bruises amassing hundreds of thousands of streams, Micksun has built a loyal following by turning personal pain into a shared release. His collaboration with American Standards is a rare meeting point between two uncompromising forces in underground music.

ABOUT AMERICAN STANDARDS

Since forming in 2010, American Standards have become a cornerstone of the modern metalcore underground. With a relentless DIY work ethic, deeply personal lyrics, and an explosive live show, the band has shared stages with Every Time I Die, Norma Jean, Zao, Knocked Loose and many more.

Their discography has been praised for blending mathcore precision, punk attitude, and raw emotional power—and Future Orphans may be their most definitive and dangerous release yet.

“KODAK STARE (EXTENDED)” FEAT. SKUFF MICKSUN

Available On: Spotify, Apple Music, Bandcamp, Amazon Music, YouTube, and all major platforms

https://linktr.ee/americanstandards

Spotify:

https://open.spotify.com/track/3zfO9nsCRDzouSpeMKBqU9?si=TQKTGNmpTV2c5wEXssEh5Q


Phoenix, AZ metallic hardcore band American Standards have released a chaotic new single titled ‘The Dealer’ from their upcoming EP ‘DOPAMINE DEALER’ being released February 3rd 2023 via Manic Kat Records. The unhinged song, which was complimented by an equally unsettling music video, draws nostalgic sounds for fans of early 2000s metalcore bands such as Every Time I Die, The Chariot and Converge. 

American Standards Vocalist Brandon Kellum said of the song:

“I’ve always wanted to do a spin on Doris Day’s ‘Que Sera Sera’. I love the idea of not worrying about what you can’t change but wanted to challenge the concept of leaving it up to “fate”. In our version ‘The Dealer’, it pushes the listener to own their path, preserving through both external adversities and internal self doubt. It ends with a question, are you living up to your potential or waiting for a future that isn’t promised?”

Listen to The Dealer by American Standards on Spotify, Apple Music, Bandcamp or wherever you find music. Check out the new song and video here: https://youtu.be/Ni0jmOOqWTw.


Phoenix, Arizona’s American Standards have premiered a completely unhinged new single via Metal Injection titled "Phantom Limb". The song mixed by Kevin Antreassian of The Dillinger Escape Plan, continues to push the dynamics of the experimental hardcore band while hearkening back to familiar sounds of early 00’s and late ‘90's metalcore. Frantic melodies and shifting time signatures are paired with expressive, dual vocals. The song is reminiscent of mathcore pioneers such as Converge, The Chariot, Every Time I Die and The Bled.

"We’re always pushing ourselves to do something different. With Phantom Limb, it was taking a traditional song structure and turning it upside down into something that sounds a bit schizophrenic upon first listen."

Says Brandon Kellum, the frontman for American Standards.

"The song is about carving your own path and challenging what it means to belong."

Listen to "Phantom Limb" by American Standards HERE.

TOUR DATES:

2/22 - Albuquerque, NM @ Eclipse Music Venue
2/23 - Denver, CO @ Seventh Circle Music Collective
2/24 - Salt Lake City, UT @ The Loading Dock
2/25 - Las Vegas, NV @ The Dive Bar


Arizona's chaotic hardcore outfit, American Standards, will be teaming up with Tucson, AZ's Coma Prevail (ex-The Bled/Scary Kids Scaring Kids) to invade the US this May. The run of shows titled the "Diners, Drive Ins and Stage Dives" tour has been rumored to be American Standards last appearances before entering the studio to record a new full length album. Both bands have become known for their reckless live shows and outspoken views, so fans of heavy music will be in for a treat.

TOUR DATES:

5/11 @ Ark Industries - Las Vegas, NV
5/12 @ Metro Bar - Salt Lake, UT
5/13 @ Flux Capacitor - Colorado Springs, CO
5/14 @ Fly Honey Warehouse - Albuquerque, NM
5/15 @ Mesa Music Hall - El Paso, TX

American Standards latest album, Hungry Hands, is out now on Enjoyment Records.

For more information and free downloads, visit;
http://AmericanStndrds.bandcamp.com
www.facebook.com/AmericanStandards


American Standards will embark on a tour of the western United States starting in April. They'll be taking along California natives Stay Wild. The tour is endorsed by BC Music, a label owned and operated by Matt & Toby of the band Emery. American Standards released 'Hungry Hands' in 2014. Check out the list of dates below.

TOUR DATES:

Apr. 24, 2015 - Los Angeles, CA - Perez Tire Shop
Apr. 25, 2015 - San Francisco, CA - Submission Art Space
Apr. 26, 2015 - Arcata, CA - The Card House
Apr. 27, 2015 - Portland, OR - Ash Street Saloon
Apr. 28, 2015 - Seattle, WA - El Corazon
Apr. 29, 2015 - Boise, ID - The Shredder
Apr. 30, 2015 - Logan, UT - WhySound
May 1, 2015 - Las Vegas, NV - OMD
May 2, 2015  - Victorville, CA - Thorny's Place


 American Standards has been keeping themselves busy as of late. Working upon a new release an EP of sorts called "Hungry Hands", with plans to follow it up with a full-length in due time, that the current timing will be used towards playing shows and touring. Guitarist Corey Skowronski talks of the EP and those plans of touring and show playing and more!


1. Let us get started by filling in our readers as to what the band has been up to in the past year.

Corey: Well, this past year a lot has happened. I mean, we've recorded and released the Hungry Hands EP, we got our new drummer Tommy, and we have been playing a lot of shows around Arizona as well as outside the state.

2. Can you give those of us who aren't familiar with American Standards a brief history of the band and can you please describe your sound for those who have yet to hear your music?

Corey: The band was started about four and a half years ago. The members at that time got a hold of Brandon for vocals and I was soon after picked up from my Craigslist ad looking to play bass. Then it went from there, playing some big fests, going on tour, recording demos and EPs. Soon after the original three left leaving me and Brandon to continue on. I since have moved to guitar and we grabbed Steve for bass and now Tommy for drums. As for our sound, since the beginning, I personally never claimed that American Standards was a hardcore band. We do have some influences and characteristics of one but I believe we are with out a doubt a punk rock band. A new age punk rock band.

3. The name American Standards conveys the thought of standards in America, which standards may those be? Was it hard to decide on that name?

Corey: I joined after the name was decided on. Story goes that Brandon was tossing back and forth ideas as for a band name. He then needed to take a leak and in mid-evacuation of himself he looked down and saw the name on the toilet, American Standard. After further thought the name American Standards was decided. Personally there’s no real double entendre about the name. Be it the style of music that's called american standard, or it being a sneaky way of us expressing our political beliefs. It’s a name.

4. Could you take us through the writing process of American Standards? How does one of your epic songs come to be?


Corey: Well it begins, for me, on guitar just writing what comes; Thinking of guitar riffs or a bass lines, anything. Then taking those ideas to rehearsal and working on them together as a band going through and picking out things we like and tweaking other in different ways to see what comes. Once we have a rough draft of a song we continue and see what other things we can add to make it special. It doesn't stop there, once in the studio Brandon’s always thinking of different vocal patterns for the songs and just other ways of adding to it be it different instruments or different way of singing/screaming.

5. What does "Hungry Hands" mean to you all?

Corey: To me it’s a real stepping stone for us. It’s the first time I've ever been able to really write songs for the band. I think it shows where we’re heading as a group and how our sound is evolving.

6. What's your favorite song on "Hungry Hands" right now?

Corey: I personally like Circus Rats more so for the recording process. I mean our friend came and recorded the whistling of a full wine glass for the song. Banjos were played, empty beer bottle were used as percussion instruments. The whole thing was very Tom Waits in a sense.

7. What plans do you have for the future as a band?

Corey: Well as of right now we've just been writing new jams and playing show as much as possible. We Have our small tour coming up in April, where we’re heading through California to Seattle, Then back through Boise, SLC, and Las Vegas. once back we’ll most likely be heading into the studio to start recording.

8.  Anything you'd like to say to your fans?

Corey: Be excellent to each other.


American Standards is a punk infused Hardcore band from Phoenix, Arizona signed to We Are Triumphant. The album "Still Life" was released June of 2012 and is distributed worldwide in stores and online by Victory Records. Since forming the band has gone on to tour relentlessly playing festivals from all over from the UK to the US and have a new EP in the works and a whole lot more planned out. Frontman vocalist Brandon Kellum discusses the newest EP and upcoming plans.


1. Introduce yourself, tell me what you do in American Standards.

Brandon: My name is Brandon Kellum and I'm the vocalist for the band American Standards.

2. Where is the band based out of and what is your music scene like there? Are there any local bands you could recommend?

Brandon: The band is based out of Phoenix, AZ. It's an interesting time here for the scene. Long time venues closing. New venues opening. Established acts calling it quits and bands in long term hiatus doing reunions. Another thing I've noticed in AZ is that for as long as I could remember, it's always been easy to point out the predominant genre and bands that are buzzing. It's cyclical though. It's like a style will grow so quickly that it goes from everyone loving it, to it being so popular that it's no longer "cool" to like. With this,  theres a trend of bands recycling styles and riding the coat tails of "the next big thing" for their shot at fame.  For the first time in a long time though, I feel like that predominant style isn't there. Maybe as I grow older I'm just not as in tune to it, but part of me wants to think that we've finally got to a point where bands are realizing that to stand out you really have to do your own thing. Otherwise, you'll always be a step behind the ones you're following. As for recommendations, I'm big into Lariats, Hot Skin, Andrew Jackson Jihad and Sleepwalker. All these bands  I feel have that sound that garnishes respect from across the board, regardless of what genre you're into.

3. What have you released so far and how were your releases received by the public/media?

Brandon: So far we've released a 3 song demo, a few one off singles and our 2012 EP "Still Life". We're on the verge of releasing another EP entitled "The Death of Rhythm and Blues" September 14th. To date we've been overwhelmed with the positive feedback from both fans and publications stateside and internationally. It's crazy to see Merch and CD orders from countries we've never even been to.

4. What should labels/zines/promoters know about your band? Why should they be interested in it?

Brandon: I would hope the sound speaks for itself in a way. We've found this weird spot where we never quite fit in on a show and we're always the odd band out. It's worked for us though. It's also allowed us to play these shows with bands ranging from indie, punk, hardcore and metal but still get the crowd going.
It also really comes down to the message in our songs that we all live day in and day out. Regardless of who you are and what your past is, you have the choice to take control and really do something beyond yourself. It's up to you to change your perception of seemingly negative experiences and know that in the end, these experiences are something we all share. American Standards is about pushing forward. It's about the movement that makes us feel alive. I think people really connect with that and see that passion and intensity at our shows.

5. Who produced The Death Of Rhythm And Blues and what was it like working with them?

Brandon: Joe Gerhard with JM Studios in Mesa, AZ. He's a great guy and also plays for the local band Sleepwalker. He worked with us on Still Life and over the years has grown with us and learned how to help us do what we do best.

6. Is there any story or concept behind the The Death Of Rhythm And Blues title?

Brandon: The Death and Rhythm and Blues has a personal meaning to me that goes beyond what's just in the lyrical content. We named it with the story of Robert Johnson in mind. The idea that a poor and struggling musician spent his life trying to do what he loved with little notoriety. He was then said to have sold his soul to the devil and almost instantly became more noticeably skilled in both his craft and  stature. At age 27 (the age I am currently) he died as had many of the great legends in rock and roll did. This really hits home with me in the sense of that struggle and working to do more despite any obstacles. In addition to these ties, the EP is actually the last album we will record with the original band line up. After its release, both our drummer and guitarist have made the choice to part with the band. So in a sense, it's the death of a chapter and birth of something new for us.

7. Who did the cover art for The Death Of Rhythm And Blues and how much input did you have on it?

Brandon: The art was actually painted in canvas by our bassist Corey Skowronski who going forward will be on guitar. We had a very clear vision in mind how we wanted to tie it into the album concepts and the famous scene of the crossroads in which Robert Johnson "sold his soul".

8. Select two songs from The Death Of Rhythm And Blues and what inspired the lyrics.

Brandon: The first song on the album "The Engine and the Engineer" was one I wrote while on the east coast for work. It was based on how technologically we've made so many advances to connect as humans but they've strangely had this unexpected backfire and in many ways built these barriers between us. It's seems we've become more connected and dependent on the machines and less to each other. As we make those machines more human like, we in a sense become more callous and machine like. It makes me think of how as a civilization we can see a horrific scene of human suffering or the saddest poverty and walk on without a second thought to it. We're conditioned to be unaffected and to treat every situation with little emotion.

The last song on the album is Misery Relapse. This is based that youthful rebellion that everyone has. That stage in life where you want to question everything and fight for what you feel is right. Sadly, when you have this passion, you don't always have the knowledge and experience it takes to effectively achieve whatever it is that you're fighting for. Over time, it becomes almost second nature to build a tolerance and accept things that you feel you can't change. As you become older, and hopefully wiser you are now broken down from the struggle and failures and not as opt to push forward. The song it's self is a personal challenge for me to keep that fire and that desire to progress.

9. What lyrical theme do you guys use in your music? what message do you want to send? What bands have influenced your band and its sound?

Brandon: It varies by song but struggle, progression and sociology political themes are reoccurring themes in several of our songs. I feel it is easy to connect to an audience using primal emotions such as love and hate- for me however, what I find exciting is getting an audience to connect to a more complex idea that runs a gambit of feelings. As for influences, Refused, Every Time I Die, Mewithoutyou, Rage Against The Machine, System if a Down... All huge for me.

10. Was your songwriting and recording process any different than usual for this EP?

Brandon: It was in some ways. We've always wanted to stay true to a very minimalist approach when it comes to production. We're a single guitar, single bass pedal band with little effects and nothing that can't be reproduced in a live show. On this album though, we found ourselves experimenting with different sounds and creative ways that we could incorporate them. It'll be interesting to see how it's received by the listeners. It was also the first time that we could call each song a collaborative approach. In the past, a member would bring a near complete product to the other members to learn. This time we spent plenty of time on the road together and in the practice room bouncing ideas around and building off them.

11. What's your take on The Death Of Rhythm And Blues as a whole?

Brandon: I feel it is a very natural progression from our Still Life EP while expanding on the dynamics. In many ways it's heavier and more anger filled yet also finds melodic aspects that we haven't had in past recordings.

12. What's your favorite song on the EP right now?

Brandon: That's tough and it seems to change by the day. Right now I would say lyrically, Misery Relapse. I also love Dead Man's Victory since its the newest track to us.

13. Is it important for you to paint visual pictures with the songs?

Brandon: Absolutely. If I'm not recreating the emotion in a way that's connectable to the listener, then all the songs are, are flat non-dimensional noise. At the end if the day, I want to create something that I would want to hear as a fan of music.

14. What would be the cinematic equivalent of The Death Of Rhythm And Blues?

Brandon: That's a tough one. The closest thing to a cinematic equivalent that I can think of for it would be an accumulation of Twilight Zone episodes. I've always loved the irony, existentialism and political themes that Rod Serling was able to incorporate into what would be considered sci-fi or a fantasy world.

15. What are your expectations for the EP?

Brandon: I hope it exceeds all expectations that our fans have for it while also reaching a new crowd.

16. Where is the new material headed?

Brandon: After this EP? I would say you will continually see us expanding in every direction musically encompassing more dynamics but still staying true to our core message. We've always wanted to experiment with new instruments and layers and with our current line up I believe that will become a reality.

17. What is it you’d like a listener to remember the most when hearing your music for the first time?

Brandon: I would like them to remember it as something new and fresh. As a sound that that exposed them to a new way of thinking about heavy music. Something that their excited about and excited to share with others.

18. What plans do you have for the near future as a band?

Brandon: Just touring as much as possible, we have a few festival appearances lined up and hopefully a full length going into early 2014.

19. Where can we listen to your band and where can we buy your stuff?

Brandon: You can connect with us via the following social networks;

AMERICAN STANDARDS Facebook:
www.facebook.com/AmericanStandards

AMERICAN STANDARDS Bandcamp:
http://AmericanStndrds.bandcamp.com

AMERICAN STANDARDS YouTube:
www.youtube.com/AmericanStandardsAZ

AMERICAN STANDARDS Twitter:
www.twitter.com/AmericanStndrds

AMERICAN STANDARDS Instagram:
@AmericanStandards

20. Why should a metalhead buy your demos/albums?

Brandon: I think it'll give them something different that they haven't heard yet.

21. Anything you’d like to say to your fans?

Brandon: Nothing more than a sincere thank you for all the support.

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