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Halloween, not just a known holiday loved and feared by many but a staple in the movie category for years since 1978. That was when the first, original, slasher film would launch under that title of "Halloween". The film directed by John Carpenter, his third to be precise, with writer/producer Debra Hill and starring now famous scream queen junior Jamie Lee Curtis, her mom Janet Leigh starring in the famous Alfred Hithcock classic Psycho in 1960. But after the Halloween film debut so many years ago, something happened with it, a following fan formation began and believe it or not it never left.....

Over time the first film would continue onward into several sequels, eleven in fact, including two of which being remakes, and an all new film, being now the twelfth in the series, being a continuation but  retelling of the film series, its hard to explain really. But what this all boils down to, is the fact that the original Halloween from the 70’s made conventions pop up, one started by organizer and creator Sean Clark.

In the fall of 2003 was when the first convention in celebration of the first Halloween film and others would take place in Pasadena, California, at it’s small convention center. Then five years would pass with the second celebrating 30 years in 2008, with the next five going on to celebrate 35 years, with yet another five years celebrating what would be 40 years since the release of the first film in the series that is Halloween!

With this 40th anniversary celebration would not just be another convention done by yet again Sean Clark, but much more to it, an all new movie, titled yet again Halloween, would be released in the fall of October 2018, the first time in a long time that a Halloween film would release around the same name holiday. But also because the amount of time, that it has been since the first film was released 40 years prior. So many generations growing up with the film, seeing it for the first time or for the hundredth if not thousandth time. The film being so grounded in popularity that all knew it by now.

So with the 40th anniversary in full slasher style, the convention would take place on October 12th through the 14th at Pasadena’s convention center like years before. But especially because the first film and sequels were shot in Pasadena as well. On day 1 was a bus tour, that took attendee’s who bought tickets, in and around Los Angeles County, showing off numerous spots of where the films, along with other horror classic films were shot, fans snapped photos happily, while chatting to others about the films, not being able to get enough of it! The bus tour lastly roughly 7 hours, but well worth it, for all of the sights, input, and snap shots taken. Some iconic places were the Michael Myers house, The Strode house, Haddonfield cemetery, among other Halloween based locations of the many films.






On day 2 would be where the actual convention would occur, showcasing a merchandise floor and guests, doing photo opportunities, signings, and merchants selling what else merchandise exclusive of the Halloween film series, along with other horror properties. Long lines formed at times, while other booths sold out of merchandise altogether, with other fans, waited outside the panel hall, to listen in after entry into the hall, about the films they so enjoyed. A handful of panels were to take place, that included Halloween 2, Halloween 5, Halloween 6, and Halloween 2018 panel, along with a podcast featuring an appearance by Tom Atkins from Halloween 3. All of the panels going quite well, with the fans eagerly asking questions, to just hearing what the actors had to say about the movies they had taken part in was just scary in itself.








Last but not least, would be day 3 the final day of the convention where merchants would wrap-up shop, selling whatever else remained, other guests talking, signing, and snapping photos away to the fans who awaited their turn, with more panels of the other films were happening for Halloween 3, Halloween 4, Rob Zombie’s Halloween 1 and 2 remake’s and the original one that started this whole thing Halloween! These panels being very entertaining just as the others were, except these had the fans more into it, as the new film was just days away from being released, all that were there were so thrilled let alone excited, it was hard to hold it all in at times.




 All in all, it was just such an experience to behold again for many, for some who never had been before. Everyone who were there, was there for one reason only, because it was Halloween, the film with a series behind it, that no one would have ever thought, would have become so successful in no time at all. Perhaps more conventions would follow suite in celebrating the 45th or even 50th year anniversaries, if there is not, then this 40th was probably one of the best years for this indie film that could.


Lelahell has announced a European tour, see the dates below!

TOUR DATES:

02.11.2018 Bronxtoles Deathfest, Madrid, ES
03.11.2018 Iberian Warriors Metal Fest Zaragoza, ES
04.11.2018 Ardo Ona, Vitoria-Gasteiz, ES*
05.11.2018 La cave à Rock, Toulouse, FR
06.11.2018 Le Blogg, Lyon, FR*
07.11.2018 Centrale Rock Pub, Erba, IT
08.11.2018 Gustaf Pekarna Dvorana, Maribor ,SLO
09.11.2018 Squat Klinika, Prague, CZ
10.11.2018 Mlada Boleslav, Fararova Slu (Ortodox Club)j, CZ
11.11.2018 Rudeboy Club, Bielsko Biala, PL
12.11.2018 S8 Underground Club, Budapest, HUN
*w/ Paranoid Fantasy


Marple Martin, is like many musicians, having multiple bands occur at once, if not one here with the other over there. This being the case for his band The Pussybats as well as Lords Of Salem. Whose current works, spanned a course of time and production, leading to what is their debut EP efforts titled “Hell Over Salem”.

Upon listening in to the title track, along with the rest of the tracks that come off this EP, it brought to mind other musicians, such as Wednesday13 for one, and The Misfits for another. Their combination of rock n’ roll, being just that, but their energy screams horror punk rock as well. Within the lyrical context, is where the horror dwells within, whilst the instrumental working’s is more rock based, if not heavy metal to a tee at times.

Like saying prior, the material is very much like those other musicians, having this concept that just blends, so willingly it makes the music consume you, when listening to it. So much angst, energy, and aggression, it never fades away but remains constant at all times even.

If that does not persuade you into checking out Lords Of Salem’s debut EP “Hell Of Salem”, perhaps hearing the title track at least once more, will change your perspective on an act, who will be within the next generation of many more acts to follow suit.


Progressive German's Sweeping Death have released a debut EP "Astoria" in 2017 and soon followed that with their debut full-length "In Lucid" in 2018. Back to back releases, with similar range of content, makes this act rather consistent. Like for example, one of the tracks, perhaps their longest, reaching about 10 minutes in length of time frame, titled “Suicide Of A Chiromanist", it is filled with such passion and energy that the enthusiasm added along the top layer, makes the track that more precious, let alone tight and effective in terms of style and sound, as far as heavy metal and death metal go. That track whilst in the middle of the album, may take some time to play through, but it is very powerful upon the first listen. A lot like a number of the other tracks such as "Resonanz", "Stratus", "Purpose", and "Horror Infernal". These tracks being quite intense yet fierce as well. For instance, the instrumental provided throughout all, is very gripping, showcasing such a raw amount of talent, that the vocal chords make it come full circle really. You get this rush of other acts like Legion of the Damned crossed with Slayer mixed in with a dab of Exodus. It just recycles the works so well, that it leaves the music in it’s entirety very breathless at times. It is how a lot of their other works like off their debut EP sort of works as well. It’s pretty much a mix bag for the most part that just makes an act such as Sweeping Death and their debut album “In Lucid”, a treat for the ears when it comes to the metal genre.


For the past seven years, Madness Of Sorrow have released five full-length albums, their most recent to date being "Confessions From The Graveyard". Since their 2015 release “III: The Beast”, vocals were provided by Prophet, then it had Muriel Saracino return to take over said duties as vocalist and guitarist as he always had been prior. As a matter of fact, actually,  Muriel Saracino has faced the loss of a loved one, his father, in which he has transformed the pain into music, upon you hear on this release. Thus, taking the listener into a whole another realm of so called limbo, that is nothing but despair, anger, involving in a double vision result of death those who will face it and those who live with assisting others that they love. In short, it is a very therapeutic album for Muriel Saracino, and the band Madness Of Sorrow as well. While the content off the album is very meaningful, passionate, and insightful, of all emotions, it packs in such vision of the instrumentals and vocalization, that it makes this release so worthwhile of listening; it becomes rather endless. The works being very content, upbeat, and structured so well, that the material just soars off itself, creating this essence that makes you feel at ease yet comfortable. Take such tracks as "The Path", "No Regrets", "The Consciousness of Pain", and "Creepy", their melodies of pride and motives, takes on this embrace you feel the eeriness. Like think of Wednesday13’s more mellowed works, mixed in with Th 69 Eyes, edginess and you get the ideal concept behind Madness Of Sorrow’s latest album “Confessions From The Graveyard”. In other words, this album has a lot to take from it, you get so much, you are left with no response except perhaps wonder and such wisdom it leaves you pondering.


Spaztic Robot began as a project that was built from the ashes of Robbie Spark's previous punk/rock band Rebel City Radio was put to rest in 2014. In just two short years, Spaztic Robot would go on to create songs, that would form into the debut album "Skip Rope Rhymes" released in 2016. After the success of such release, another two years would surpass as more content would commence, and the sophomore follow-up album "Spaztic Robot and The Epileptic Moth" would come forth being released in 2018. Now is this two year gaps between releases a coincidence or just a matter of odd timing of the Spactic Robot project? Who knows really, but this release has got a lot saying about it's contents.

As such, "For those unafraid to embrace the unknown" from SlapMag, "Truly remarkable work" by Ryan's Gig Guide, down to "Pleasantly unpleasant" "Arty aural assaults" and "Evocative cinematic soundscapes" from Vive Le Rock Magazine. These sources being right about this follow-up piece of work from Spaztic Robot. The opener being titled "Assholes", brought to mind immediately another act of similar styling to that of which melted dark wave, alternative, electronic, and industrial, Angelspit. Their format being a lot like Spaztic Robot's, within this track, and a lot of the others as well. Like for instance, "Pond Scum", Blisters", "Demons", and "Heart Shaped Box". These tracks, along with the rest, are filled with a lot of energy, angst, and adrenaline. You get this trance of techno beats thrown atop of all the other genres mentioned, causing this rift to happen, making the music much more rounded, yet more fun to listen in on. Think dance club setting, with glow sticks, fast lights blinking on and off wildly, with everyone bouncing their bodies up and down, if not swaying from side to side.

It’s how a lot of the material off “Spaztic Robot and The Epileptic Moth”, plays off. Both off this album and even some of the working’s off the debut album as well. When listening to an act such as Spaztic Robot, you are just taken a back, by the futuristic works, that causes such tension it makes the material highly entertaining. After listening to this release or the previous, you will not be disappointed but delighted in what has just been played.


Electronic alt rock band VISTA  have announced a string of November U.S. show dates from 11/10 - 11/17. Although not a tour, the band will hit two new cities and support Emery and Kurt Travis on two separate dates. Check out the dates below!

TOUR DATES:

11/10 - American Legion Hall - Florence, MA
11/11 - Alchemy - Providence, RI (supporting Kurt Travis)
11/13 - The Loft - Poughkeepsie, NY
11/14 - Brooklyn Bazaar - Brooklyn, NY (supporting Emery)
11/16 - Amityville Music Hall - Amityville, NY
11/17 - Lizard Lounge - Lancaster, PA

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