Articles by "Job For A Cowboy"

 


Experimental death metallers JOB FOR A COWBOY are pleased to unleash "Beyond The Chemical Doorway," the latest single from their long-awaited new full-length, Moon Healer, set for release on February 23rd via Metal Blade Records. The release marks the iconic outfit's first new full-length in a decade!

Moon Healer is a vivid illustration of what happens when creativity, aggression, and volatility tangle for the first time in years. Like the band's critically adored, 2014-released Sun Eater full-length, Moon Healer is musically multifaceted, unabashedly brutal, and compellingly conceptual. Featuring a newly refreshed and reinspired lineup of frontman and co-founder Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis, the band seamlessly picks up the mantle where Sun Eater left off.

 Compared to past offerings, Moon Healer is as bone-crushing as JOB FOR A COWBOY has ever been. But it's more consistent and conceptual, composed with the utmost enthusiasm and confidence. "The evolution of our sound has become a big part of the band," Davy says. "As we mature as musicians, our tastes and interests naturally expand. With age comes more experience and ideas that we wouldn't have considered in our earlier years."

When discussing the lyrical genesis of songs "Grinding Wheels Of Ophanim," "Into The Crystalline Crypts," and latest single, "Beyond The Chemical Doorway," Davy's writing gets cryptic and elliptical-sounding, part Philip K. Dick, part Timothy Leary. "I envision this as a death metal album born from the mystical confines of an alchemist's laboratory. The music acts as potent potions, inducing hallucinogenic journeys that unlock the secrets of the universe."

With "Beyond The Chemical Doorway," Davy explores Gnosticism -- an occult teaching based on Gnosis, a state of transcendence achieved through intuitive, unconventional means -- by way of Hieronymus Bosch's art. Elaborates Davy, "On Moon Healer, we unravel the dismal narrative of a close friend consumed by an unwavering pursuit of enlightenment. They achieve this through a compulsive embrace of hallucinogenic drugs. This storyline emerges from the foundation set in our earlier album, Sun Eater, delving deeper into the intricacies brewing within our friend's psyche.

"When under the influence of these drugs," he continues, "this individual claimed to encounter entities and find themselves in indescribable worlds that defy rational comprehension. Many who undergo such experiences draw intriguing parallels between diverse facets of Gnostic philosophy, biblical depictions of angels, and the stages of Bardo Thodol delineated in the Tibetan Book Of The Dead. In the album's opener, 'Beyond The Chemical Doorway,' our friend vividly voices his hallucinations, recounting the experience of breaching forbidden, gnostic-like realms, with each account culminating in the utter unraveling of his being."

Watch JOB FOR A COWBOY's "Beyond The Chemical Doorway" video right HERE.

 


Returning death metal outfit JOB FOR A COWBOY is pleased to unleash the official new video for their latest single, "The Forever Rot," which was released to overwhelming accolades last week. The track comes by way of their long-awaited new full-length, Moon Healer, set for official unveiling on February 23rd, 2024 via Metal Blade Records. The record marks the band's first new full-length in a decade!

Moon Healer is a vivid illustration of what happens when creativity, aggression, and volatility tangle for the first time in years. Like the band's critically adored, 2014-released Sun Eater full-length, Moon Healer is musically multifaceted, unabashedly brutal, and compellingly conceptual. Featuring a newly refreshed and reinspired lineup of frontman and co-founder Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis, the band seamlessly picks up the mantle where Sun Eater left off. 

Following previously released single, "The Agony Seeping Storm," which displayed a mathematically mind-blowing hybrid of bludgeoning death metal specializing in unconventional riffing that echoes the resemblance of legendary experimentalists like Cynic, Atheist, and Gorguts, "The Forever Rot," stands in stark contrast, delving into a lonesome and haunting guitar melody, then evolving into shimmering reflections of Obituary, Coroner, Voivod, and even hints of Neurosis. In other words, forget about your preconceived perceptions of what this band was. This twists vocal tropes, chord forms, and melodies into loops of razor wire.

Notes Schendzielos of the song's accompanying video, "Jonny and I delved extensively over the past few years into the conceptual aspects of Moon Healer, and there was naturally a wide array of visual imagery invoked by the subject matter. We really wanted to bring the experiences of the character in Sun Eater/Moon Healer to life. The thematic elements represented are uniquely interesting to me so I was quite enthused to be able to take on the videos for 'The Agony Seeping Storm,' and now, 'The Forever Rot.' I've been pretty extensively diving into video production over the last few years with director Kyle Lamar from Digital Myle on other projects, so there's a synergy that's there with us already. His camera work is incredible and he's got such a great grasp on every element of the process. Jonny, Kyle, and I really gelled (ha) together, and I think it shows in the final product. Extracting the raw, authentic elements of the song's narrative, melody, and emotion, and translating them into a visual composition has been vastly artistically fulfilling and I look forward to creating more…from brainstorming, to filming, all the way through editing, it's such a fun process to see our ideas come to fruition. It's quite the ride…we hope you enjoy the trip!"

Watch JOB FOR A COWBOY's "The Forever Rot" video right HERE.

Watch the band's previously released video for "The Agony Seeping Storm" HERE.


Paris modern metal outfit AS THEY BURN have announced that they will join JOB FOR A COWBOY, WAR FROM A HARLOTS MOUTH, BENEATH THE MASSACRE on the upcoming BONECRUSHER FEST that is taking over twenty-seven cities across Europe/ UK beginning March 1st, 2013.

Vocalist Kevin Trevor comments, “JFAC is a band we all really like and we've been following them since the beginning. We'll play all over Europe and in countries we've never been before. We’re very excited to meet new audiences and share our new album, positive vibes, energy and passion with the crowds every night. After this let's hit the USA!”.


TOUR DATES:

3/01- Köln, DE @ Underground
3/02- Drachten, NL @ Iduna
3/03- Nottingham, UK @ Rescue Rooms
3/04- Glasgow, UK @ Cathouse
3/05- Leeds, UK @ Uni Mine
3/06- London, UK @ Underworld
3/07- Antwerpen, BE @ Trix
3/08- Savigny le Temple, FR @ Empreinte
3/09- Montauban, FR @ Rio
3/10- Madrid, ES @ Sala Caracol
3/11- Badalona, ES @ Sala Estraperlo
3/13- Esch-Alzette, LU @ Kulturfabrik
3/14- Yverdon-les-Bains, SE @ L'Amalgame
3/15- Aarau, CH @ Kiff
3/16- München, DE @ Backstage
3/17- Graz @ Explosiv
3/18- Würzburg, DE @ Posthalle
3/19- Berlin, DE @ Lido
3/20- Warsaw, PL @ Progresja
3/21- Brno, CZ @ Melodka
3/22- Chemnitz, DE @ Talschock
3/23- Rostock, DE @ Alte Zuckerfabrik
3/25- Helsinki, FI @ Nosturi
3/27- Stockholm, SE @ Göta Källare
3/28- Gothenburg, SE @ Brewhouse
3/29- Copenhagen, DK  @ Pumpehuset
3/30- Bochum, DE @ Matrix


Today prime horror portal Bloody Disgusting are hosting the exclusive premiere of JOB FOR A COWBOY’s "Tarnished Gluttony" video. The disturbing nine-and-a-half-minute clip was directed by Michael Panduro (Saint Vitus, Cephalic Carnage), and comes off the band’s Demonocracy full-length, issued earlier this year through Metal Blade Records.

Comments founding frontman Jonny Davey: “‘Tarnished Gluttony’ originally runs off the idea of blind faith into our government and monetary system. The director ran with the idea and spliced it with a H.P. Lovecraftian twist. The video streams the fascination of religion and the actions people justify in the name of religion, and this video is a spin on the old biblical tale of Abraham and Isaac, however, set in the world of Lovecraftian mythology. The point is, acting blindly in faith to a Christian deity is just as absurd as worshiping squid like monsters from space who live under the sea.”

Adds Panduro: "As a commercial director, I'm a complete failure. The band asked for just one thing and I couldn't deliver. Indeed, this video has no boobs."

Check out the video HERE.


JOB FOR A COWBOY are currently readying for their month-long Summer Slaughter trek, set to commence next week in Los Angeles. Bassist Nick Schendzielos will be forced to sit out part of the run due to a family emergency. The band will be joined temporarily by The Red Chord guitarist Mike "Gunface" McKenzie.

Comments Schendzielos: "Hey friends: On June 28, immediately after landing in Boston to rehearse for Puerto Rico/Summer Slaughter, my girlfriend was in a head-on collision on her scooter. She sustained very serious head and bodily injuries. I flew right home, and we've been in the ICU for a week and are still in the hospital to make sure everything is okay. She needs 24/7 supervision for at least two weeks once we get out of here, so I'm very grateful to announce that Gunface from The Red Chord is going to help me out filling in on Summer Slaughter until I can meet back up with it. We love the dude very much and it's going to be really cool for both JFAC and TRC fans to see. Enormous thanks for understanding this difficult situation and I'll be back as soon as possible!"

Adds McKenzie: "I'm excited to be playing with JFAC on this tour. Great dudes in this band as well as in the bands on Summer Slaughter. Playing bass is a little different for me but definitely an interesting challenge. I'm definitely looking forward to getting out on the road again. Nick's bass work is incredible and I'm working hard to get all of his parts down. Sending positive vibes out to him and his lady."


Death metal ministers JOB FOR A COWBOY today unleash their lyric video to “Imperium Wolves.”
The tune comes off the band’s latest studio recording, Demonocracy, released in North America on April 10 through Metal Blade Records. The maniacal, multifaceted Jason Suecof-produced masterwork tackles a host of political and economic themes and continues to raise the eyebrows of fans and media alike. Check out “Imperium Wolves” HERE.

Death metallers JOB FOR A COWBOY recently returned from the uber successful Metal Alliance Tour. The band performed alongside The Faceless, Dying Fetus, 3 Inches Of Blood, Impending Doom, Wretched, and headliners, Devildriver. Commented bassist Nick Schendzielos of the trek: "So we just finished up with the Metal Alliance tour. We had an absolutely killer time gettin' all loco with all our friends. We're also super brammed everyone's diggin’ the new tunes, which you'll be hearing more of in Japan, Puerto Rico, and of course Summer Slaughter! Thanks to everyone for picking up the new record, and make sure to hit us up on our Facebook to tell us what songs from Demonocracy you want us to play. See you soon!"

The band will bring their ruckus to Japan next month and wreak some havoc in June in San Juan, Puerto Rico before kicking off the Summer Slaughter Festival 2012! General Admission Tickets go on sale Friday April 27th. VIP tickets are available now through SoundCheck Hollywood. See all confirmed JFAC dates below.

JOB FOR A COWBOY will be touring in support of their brand new studio recording, Demonocracy, released in North America on April 10 through Metal Blade Records. The intricate, Jason Suecof-produced offering tackles various political and economic themes and continues to impressed fans and critics alike. About.com notes: “Demonocracy affords JOB FOR A COWBOY another album to legitimize their death metal sound, which was set forth starting with Ruination…Bringing in guitarist Tony Sannicandro and Cephalic Carnage bassist Nick Schendzielos translates to dynamics not heard on any JOB FOR A COWBOY album to date,” Ultimate-Guitar boasts: “The album plays like a constant assault, and while never backing off it still manages to add enough structure for individual songs to become memorable,” adding that, “the soloing is surprisingly catchy and well-executed while still managing to sit well in the context of the songs,” while Alternative Press calls Demonocracy "an ass-kicking, skull-cracking record." Decibel agrees crowning the record a “…very stronger exercise in slickly-produced, technically sound death metal smart enough to know that a little variety can do a tech-death band a world of good.”

JOB FOR A COWBOY:
5/18/2012 Shibuya Cyclone - Tokyo, Japan w/ United [Tickets]
5/19/2012 Sakae R.A.D - Nagoya, Japan w/ Infernal Revulsion, Death I Am, Hostile Eyes, Neuerwind [Tickets]
5/20/2012 Shibuya Milkyway - Tokyo, Japan w/ Arise In Stability, Metal Safari, Infernal Revulsion, Death I Am [Tickets]
5/21/2012 Chatan Salt & Papper - Okinawa, Japan w/ Illuminati, Shores, Roach, Shakes Beard
6/30/2012 La Respuesta - San Juan, PR

JOB FOR A COWBOY – Summer Slaughter Festival 2012
w/ Cannibal Corpse, Between The Buried and Me, The Faceless, Periphery, Veil of Maya, Goatwhore, Exhumed, Cerebral Bore
7/20/2012 House of Blues – Los Angeles, CA
7/21/2012 SOMA – San Diego, CA
7/22/2012 House of Blues – Las Vegas, NV
7/23/2012 Venue of Scottsdale – Scottsdale, AZ
7/25/2012 House of Blues – Dallas, TX
7/26/2012 White Rabbit – San Antonio, TX
7/27/2012 Pharr Events Center – Mission, TX
7/28/2012 House of Blues – Houston, TX
7/30/2012 The Ritz – Tampa, FL
7/31/2012 Revolution – Ft. Lauderdale, FL
8/01/2012 The Masquerade – Atlanta, GA
8/02/2012 The Valarium – Knoxville, TN
8/03/2012 Amos – Southend Charlotte, NC
8/04/2012 Sonar – Baltimore, MD
8/05/2012 The Trocadero – Philadelphia, PA
8/07/2012 Starland Ballroom – Sayreville, NJ
8/08/2012 Irving Plaza – New York, NY
8/09/2012 Northern Lights – Albany, NY
8/10/2012 The Palladium – Worcester, MA
8/11/2012 Heavy Montreal – Montreal, QC
8/12/2012 Heavy Toronto – Toronto, ON
8/14/2012 House of Blues – Cleveland, OH
8/15/2012 St. Andrew’s – Detroit, MI
8/16/2012 House Blues – Chicago, IL
8/17/2012 The Rave – Milwaukee, WI
8/18/2012 Station 4 – St. Paul, MN
8/20/2012 Summit Music Hall – Denver, CO
8/22/2012 The Showbox Sodo – Seattle, WA
8/23/2012 Roseland Theater – Portland, OR
8/24/2012 The Fillmore – San Francisco, CA
8/25/2012 The Grove – Anaheim, CA


The most extreme tour of the year has returned with its most devastating and anticipated line-up yet. The 6th annual Summer Slaughter Tour, presented by Indie Merch Store, Peavey, Ibanez and SoundCheck Hollywood, is now officially slated to run from July 20th through August 25th. It features such heavyweights as Cannibal Corpse, Between The Buried and Me, The Faceless, Periphery, Veil of Maya, Job For A Cowboy, Goatwhore, Exhumed and Cerebral Bore, with special guests TBA in each city such as The Contortionist, Rings of Saturn, Fallujah and more.

Ash Avildsen (Summer Slaughter Founder) states: “Without a doubt, this is the biggest year in the history of the tour. We are honored to have such an incredible, diverse group of musicians all on the same bill. It’s brutal, classic, progressive, fresh and still the most extreme tour of the year. Drink lots of water before you show up and get ready to rage!”

General Admission Tickets go on sale Friday April 27th. VIP Tickets will be available starting tonight from SoundCheck Hollywood.

Be sure to visit Facebook for all up-to-date news and ticketing information.

TOUR DATES:

7/20- Los Angeles, CA @ House of Blues
7/21- San Diego, CA @ SOMA
7/22- Las Vegas, NV @ House of Blues
7/23- Scottsdale, AZ @ Venue of Scottsdale
7/25- Dallas, TX @ House of Blues
7/26- San Antonio, TX @ White Rabbit
7/27- Mission, TX @ Pharr Events Center
7/28- Houston, TX @ House of Blues
7/30- Tampa, FL @ The Ritz
7/31- Ft. Lauderdale, FL @ Revolution
8/01- Atlanta, GA @ The Masquerade
8/02- Knoxville, TN @ The Valarium
8/03- Charlotte, NC @ Amos Southend
8/04- Baltimore, MD @ Sonar
8/05- Philadelphia, PA @ The Trocadero
8/07- Sayreville, NJ @ Starland Ballroom
8/08- New York, NY @ Irving Plaza
8/09- Albany, NY @ Northern Lights
8/10- Worcester, MA @ The Palladium
8/11- Montreal, QC @ Heavy Montreal
8/12- Toronto, ON @ Heavy Toronto
8/14- Cleveland, OH @ House of Blues
8/15- Detroit, MI @ St. Andrew's
8/16- Chicago, IL @ House Blues
8/17- Milwaukee, WI @ The Rave
8/18- St. Paul, MN @ Station 4
8/20- Denver, CO @ Summit Music Hall
8/22- Seattle, WA @ The Showbox Sodo
8/23- Portland, OR @ Roseland Theater
8/24- San Francisco, CA @ The Fillmore
8/25- Anaheim, CA @ The Grove

Death metal collective JOB FOR A COWBOY today announce four special headlining dates in Japan! Following their trek on the Metal Alliance tour, which is currently underway, the band will play two shows in Tokyo as well as Nagoya and Okinawa beginning on May 18. Confirmed dates are below:

TOUR DATES:

5/18/2012 Shibuya Cyclone - Tokyo, Japan w/ United [Tickets]
5/19/2012 Sakae R.A.D - Nagoya, Japan w/ Infernal Revulsion, Death I Am, Hostile Eyes, Neuerwind [Tickets]
5/20/2012 Shibuya Milkyway - Tokyo, Japan w/ Arise In Stability, Metal Safari, Infernal Revulsion, Death I Am [Tickets]
5/21/2012 Chatan Salt & Papper - Okinawa, Japan w/ Illuminati, Shores, Roach, Shakes Beard

Today Guitarworld.com hosts an exclusive premiere of “Imperium Wolves,” from technical death doers, JOB FOR A COWBOY. “Imperium Wolves,” comes off the band’s forthcoming studio offering, Demonocracy. Soaked in equal parts misanthropy and naked rage, the nine-track recording tackles a host of political and economic themes including media propaganda, the “war industry” and the staggering debts faced by America. Produced by Jason Suecof (Black Dahlia Murder, Whitechapel, Trivium) at Audiohammer Studios, and featuring another intricate and thought-provoking cover design by artist Brent Elliott White, Demonocracy is scheduled for North American release on April 10, 2012 through Metal Blade.

For a taste of the audio destruction to come, check out “Imperium Wolves” HERE. JOB FOR A COWBOY are currently ravaging stages across North America on the Metal Alliance Tour. The band is joined by The Faceless, Dying Fetus, 3 Inches Of Blood, Impending Doom, Wretched, and headliners, Devildriver. Remaining dates are below.

You can still check out first single, “Nourishment Through Bloodshed” at the band’s OFFICIAL METAL BLADE PAGE, where you’ll also find studio footage, pre-order info and limited edition merch bundles. And don’t forget to peep the second video in “The Leads Are Weak” instructional video series where guitarist Tony Sannicandro performs a classical alternate picking/warm-up exercise based around a section of a Mozart piano piece. Check it out HERE.

Stay tuned for more JOB FOR A COWBOY news including the upcoming video premiere of “Imperium Wolves.”

TOUR DATES:

4/02/2012 Hawthorne Theater – Portland, OR
4/03/2012 Knitting Factory – Spokane, WA
4/05/2012 DNA Lounge – San Francisco, CA
4/06/2012 House Of Blues – Los Angeles, CA
4/07/2012 Marquee Theatre – Tempe, AZ
4/08/2012 El Rey Theater – Albuquerque, NM
4/09/2012 Summit Music Hall – Denver, CO
4/10/2012 Sokol Auditorium – Omaha, NE
4/11/2012 7 Flags Event Center – Clive, IA
4/12/2012 Pop’s – East St Louis, IL
4/13/2012 New Daisy Theatre – Memphis, TN
4/14/2012 Clear Channel Metropolis – Little Rock, AR
4/15/2012 Granada Theatre – Lawrence, KS
4/16/2012 Cain’s Ballroom – Tulsa, OK
4/18/2012 Dos Amigos – Odessa, TX
4/19/2012 House of Blues – Dallas, TX
4/20/2012 Emo’s East – Austin, TX
4/21/2012 House of Blues – Houston, TX

JOB FOR A COWBOY
6/30/2012 La Respuesta – San Juan, PR


Job For A Cowboy's bassist Nick Schendzielos spoke to me about the band's upcoming third full-length release "Demonocracy" and the different approach it’s taken since the lineup change and what else we can expect from these guys in the upcoming tours, DVD release, and so much more!


1. For the people who aren't familiar with Job For A Cowboy what would you say to get people interested?

Nick: I would say that if you’re into extreme technical heavy metal give us a listen. In particular this new record is pretty involved record as far as techno death metal goes lots of stuff to keep coming back to again and again. It’s definitely one of those records where you can’t take it in all at once you have to listen to it more than once for it to all sink in.

2. How does it feel to have recorded and about to release your third album?

Nick: It feels good I’ve been in the band for a year now so I’m fairly new so this album is more involved and represents what and who the band is now and personally it’s my best bass work I’ve done on a metal release so I’m really excited for people to hear it and hear what they have to say about it.


3. What are your songs about? (What specific themes do they cover?)

Nick: Yeah it’s a very political themed record lyrically especially, because you look at the fate of the world of today and it’s not the perfect world ya know? I feel like it’s a responsibility to have and for us being such a big band as we are and able to reach out to the people and get our big foot print involved it’s like our responsibility to get the message out there. Jonny’s history of the band and political involvement and reality of the world we live in really goes onto this release. It’s a grim picture with the level of controls and implement and the ties into government and our fate of freedom so it’s a very political themed record and injustices that exist today. Yeah it is pretty cool because you get to read the lyrics to the song and listen to it too so it gets the image out there. It’s not just the music it’s about the world in it too.

4. How would you describe the overall sound of the new album? How does it compare to Ruination?

Nick: I would say this record overall sound is a lot more aggressive, a lot faster, a lot heavier, and more musically advanced than the previous records.

5. Did the band have any definitive goals they were shooting for before the recording process began for this album?

Nick: I think everybody in the band wonder what was going to happen with the sound since with the lineup changes and having myself and Tony being new to the band we wanted to be more technical and be able to show our playing abilities and overall just show people that there’s a different change as far as playing and an upgrade to showcase.

6. When did you start writing for this album? How was the songwriting process different/similar to previous Job for a Cowboy albums?

Nick: They started writing for this when everybody went home after the tour with Between The Buried and Me and the Gloom release, Tony and Al are closer to each other in Massachusetts so they created the back bone of all the songs and the initial efforts of the songs and made those on MP3 and handled it all out on GuitarPro and send them to each other and tell each other what we thought so then we went into the studio laid down the drum tracks and then guitar, lead, rhythm and vocals. So it was written differently than traditional styled since every one of us lives in different places.
7. What advice would you give to bands that are just starting out?

Nick: I would say probably first and foremost get your technical stuff handled first and everything else will fall into place as you go. Be able to play your instruments first in front of people and have that DIY attitude and have reliable transportation, trailer, gear someone that can handle accounting and all that stuff. Just people who are able to commit and baking soda I would stock up on a lot of baking soda.

8. How would you rate your and the band’s performance ability overall?

Nick: Personally well it’s weird to put yourself on a personal performance level because I’ve never done anything as a solo artist, but I did come from a band called Cephalic Carnage and learned a lot from those guys and how to put on a show. Putting on a show and fooling around and getting into it you can’t just sit there and it may work for some bands but you need to feel the energy. You just need to be able to put on a good show and get the crowd entertained.

9. How would you describe a Job for a Cowboy show?

Nick: I would say aggressive, very loud, and centric and I think the reason people like this music is because it’s an expression and a release. It’s just fun to crack up bands like Metallica and Pantera we’re hoping to get out that emotional level and releasing people.


10. What type of headbanging do you and the guys prefer to do?

Nick: That’s an interesting thing I never had long hair before so I’ve wanted to have it so I could headbang with less the effort. I had someone tell me that you need to get more of your body involved than just your head and neck and get your upper body moving because you can mess up your neck. Who knows what’s going to happen to all of these headbangers out there, from a crowd perspective I like the crazier the better.

11. How many band t-shirts are in your personal collection?

Nick: That’s a really funny question no one has ever asked me that before I probably have about 300 to 400 black t-shirts from bands. Whenever you tour with someone you always get a shirt you like if not a few. It can add up pretty quick with all of the touring happening.

12. Is there anything else we can expect to see from you guys?

Nick: Definitely touring, got a video coming out off the new record, and get a DVD put together or a behind the scenes type of stuff because we’re a goofy band when out on tour and we want to show that side of us and see what our personality type is getting who we are out there.

Never really hearing much of their material being pursued through their nine year career Job For A Cowboy has indeed made a name that stands above all the rest. Building a loyal fan base through their extensive amount of touring, recording, and writing of music that it's lead them so far ahead. Thus their third full-length is upon them and it is entitled "Demonocracy", this release alone is far more accomplished and well rounded than their previous releases, thus being far more heavier, musically inspiration and truly bur purely brutal.

Having only original frontman Jonny Davy vocals taking front and center his originality is what brings the brutality of these guys to the fore front, having the instrumentation being more focused and filled with aggressive amounts of energy. For instance on the opener "Children Of Deceit", the vocals are aggressive throughout while the drumming is done fast and well toned leaving the guitars and bass to really bring the rest together in being well developed portions of fast but heavy riffs. "Nourishment Through Bloodshed", and "Tongueless and Bound", uphold these methods used beforehand but extend them just a tad by enhancing the musical portions even further the guitars and drums tend to go even heavier than before being fully direct and adrenaline driven. Again the vocals are brutally dramatic and heard not letting the listener go of its mighty grip.

Lyrically the material really speaks with the listeners and Davy gets into it when it comes to the listener’s really connecting with them “Ruination was a very politically themed record and this one is as well. I'm a guy who loves bands like Napalm Death and Misery Index, bands that stray away from talking about blood, gore, and murder – the stereotypical themes of what you'd normally think of as death metal. Don't get me wrong, I love that in other bands, but I guess I have kind of a punk rock attitude, and I try to cover topics that have a bit more meaning to them," he explains.

It is clear as ever that Job For A Cowboy has indeed made yet another achieving release that goes far and beyond.


JOB FOR A COWBOY today unleash the first of a series of instructional video posts featuring guitar wizard Tony Sannicandro. Dubbed “The Leads Are Weak,” the mini clips offer playing tips and an up-close look at Sannicandro’s astounding skill and technique. Clip #1 showcases the solo From “Signature Of Starving Power” off the band’s Gloom EP.

To view the clip, head to the official JOB FOR A COWBOY Landing Page.


Death metal goliaths JOB FOR A COWBOY will unleash their brand new studio recording entitled Demonocracy this Spring. Set for North American release on April 10, 2012 via Metal Blade Records, the nine-track Demonocracy was produced by Jason Seucof (Black Dahlia Murder, Whitechapel, Trivium), who recorded the band's blistering Ruination full-length, at Audiohammer Studios and features another strikingly detailed concept cover by artist Brent Elliott White.

Returning with an odd ball lineup, the nine-track Demonocracy seethes with unbridled vulgarity and potent disgust. Over their long existence the quintet have built a yearning fan base through their devotion to touring and a diehard commitment to creating relentlessly hostile and involving music, and in 2012 JOB FOR A COWBOY have never sounded hungrier.

Commented the band in a collective statement: "However ruthless an age may actually have been, it's style transmits it's music only."

Check out the bludgeoning new single, "Nourishment Through Bloodshed," as well as cover art and behind-the-scenes studio footage at the band's OFFICIAL LANDING PAGE.


TRACKLISTING:

01. Children of Deceit
02. Nourishment Through Bloodshed
03. Imperium Wolves
04. Tongueless and Bound
05. Black Discharge
06. The Manipulation Stream
07. The Deity Misconception
08. Fearmonger
09. Tarnished Gluttony

With the critical praise and fan adoration bestowed upon 2009's Ruination, it would have been easy for the band to rest upon their proverbial laurels and serve up Ruination Part II. But from the moment Demonocracy roars to life it is wholly evident that this is a far more musically accomplished beast that takes their signature sound to the next level. From the abrasive blast of opener "Children Of Deceit" to the disconcerting strains of "The Deity Misconception" or the brooding, heart wrenching closer "Tarnished Gluttony". A record drenched in equal parts misanthropy and naked rage, and from start to finish they suspend the listener by the throat.

A key factor in this progression was the change in the band's ranks, which finds vocalist Jonny Davy, drummer Jon "Charn" Rice, and guitarist Al Glassman joined by guitarist Tony Sannicandro, who met Al when he was a session guitarist for Despised Icon and filled the slot vacated by Thompson. In addition, Cephalic Carnage bassist Nick Schendzielos replaces Brent Riggs. Having initially brought Sannicandro and Schendzielos on as touring musicians, the members immediately gelled, and first wrote together on 2011's Gloom EP, sealing the deal and securing their places as full-fledged members of the band.

Guitarist Tony Sannicandro believes he made a very natural addition into the band's ranks, and he's proud to bring his intricate style to JOB FOR A COWBOY's instantly recognizable sound. "I think I bring more of an old school guitar approach to the band. Obviously before the band got me there wasn't a lot of lead work. On the new album has a solo on every song. I think I've done the best work of my life on there," he states. Equally, no one can doubt Schendzielos' musical pedigree and formidable skills, and the bassist is looking to really make a mark through his work with the band. "It's really invigorating that the cats in JFAC are into my style because there is such a great expanse of uncharted territory for bass in metal," he states. "Cephalic is notorious for our chaotic and vigorous live performances alongside an expansive and dilatant range of metal stylings. I'm bringing all that experience with me and combining it with the talents of these splendid men to make my best bass work to date."


DEVILDRIVER, THE FACELESS, DYING FETUS, JOB FOR A COWBOY, 3 INCHES OF BLOOD and IMPENDING DOOM will join forces for the Metal Alliance Tour in March/April 2012.

TOUR DATES:

Mar. 15 - Austin, TX @ SXSW / Scoot Inn
Mar. 16 - New Orleans, LA @ The Hangar
Mar. 17 - St Petersburg, FL @ State Theater
Mar. 18 - Charlotte, NC @ Amos' Southend
Mar. 20 - Baltimore, MD @ Sonar
Mar. 21 - New York, NY @ Gramercy Theater
Mar. 22 - Danvers, MA @ Palace Ballroom
Mar. 23 - Montreal, QC @ Club Soda
Mar. 24 - Toronto, ON @ Opera House
Mar. 25 - Columbus, OH @ Alrosa Villa
Mar. 26 - Joliet, IL @ Mojoe's
Mar. 27 - St Paul, MN @ Station 4
Mar. 28 - Winnipeg, MB @ Garrick Centre
Mar. 29 - Regina, SK @ Riddell Centre
Mar. 30 - Edmonton, AB @ Edmonton Events Centre
Mar. 31 - Vancouver, BC @ Rickshaw Theater
Apr. 01 - Seattle, WA @ Studio Seven
Apr. 03 - Portland, OR @ Hawthorne Theater
Apr. 05 - Oakland, CA @ The Pound
Apr. 06 - Pomona, CA @ Fox Theater
Apr. 07 - Tempe, AZ @ Marquee Theater
Apr. 09 - Denver, CO @ The Summit Music Hall
Apr. 10 - Omaha, NE @ Sokol Auditorium
Apr. 11 - Des Moines, IA @ 7 Flags Event Center
Apr. 13 - Memphis, TN @ New Daisy Theater
Apr. 15 - Lawrence, KS @ Granada Theater
Apr. 16 - Tulsa, OK @ Cain's Ballroom
Apr. 19 - Dallas, TX @ House Of Blues
Apr. 20 - Austin, TX @ Emo's East
Apr. 21 - Houston, TX @ House Of Blues


Arizona extreme metallers JOB FOR A COWBOY have entered Audiohammer Studios in Sanford, Florida to begin recording their next album for an early 2012 release via Metal Blade Records. The band is once again working with producer Jason Suecof (TRIVIUM, CHIMAIRA, DEVILDRIVER), who helmed the group's latest EP, "Gloom". "Gloom" was released on June 7 via Metal Blade Records. The CD features the first new music from JOB FOR A COWBOY since 2009's "Ruination" LP, which landed at position No. 42 on The Billboard 200 chart.

Starting today, the popular metal portal MetalSucks is hosting the worldwide exclusive premiere of the upcoming JOB FOR A COWBOY (JFAC) EP Gloom. The Gloom EP will be available digitally and physically via mail-order only on June 7th. Fans wanting a physical copy of the Gloom EP should act quickly, though, as it is a limited edition run of only 2,500 copies. The EP features four new tracks of fine-tuned, visceral death metal featuring the re-invigorated lineup of Jonny Davy, Jon "Charn" Rice, Al Glassman and new guitarist Tony Sannicandro. The Gloom EP cover features new artwork from Ruination artist Brent Elliott White.

Listen to Gloom now HERE.

Commented vocalist Jonny Davy: "It honestly feels like it's been quite awhile since we've released any new material to the public. With that said, we're all pretty amped up to release this new EP and to play these new songs live. I'm aware that it's stereotypical to claim that it's a step forward for the band, but fuck it, it is. We hope you enjoy it as much as we do."

Pick up the Gloom EP at Indiemerchstore.com & www.metalblade.com/jobforacowboy or digitally through iTunes and most on-line digital outlets.

http://www.jfacmetal.com
http://www.myspace.com/jobforacowboy
http://www.facebook.com/jobforacowboy
http://twitter.com/jfacmetal

Tune in this weekend to hear "Signature of Starving Power" and an interview with drummer Jon "Charn" Rice

Full Metal Jackie will be premiering a track from Job for a Cowboy's new Gloom EP this weekend. Fans nationwide can tune in to one of over 45 rock stations that broadcast Full Metal Jackie to hear the song and the interview. To find a station near you, head to fullmetaljackieradio.com. Job for a Cowboy performed Signature of Starving Power live on the Peter Says Denim tour with label mates Between the Buried and Me and The Ocean.

The Gloom EP, will be available digitally and physically via mail-order only on June 7th. The EP features four new tracks of fine-tuned, visceral death metal featuring the re-invigorated lineup of Jonny Davy, Jon "Charn" Rice, Al Glassman and new guitarist Tony Sannicandro.

Pick up the Gloom EP at Indiemerchstore.com & www.metalblade.com/jobforacowboy or digitally through iTunes and most on-line digital outlets.

http://www.jfacmetal.com
http://www.myspace.com/jobforacowboy
http://www.facebook.com/jobforacowboy
http://twitter.com/jfacmetal


BAND's CRITICALLY LAUDED ALBUM "RUINATION" TO BE RELEASED AS SPECIAL COLLECTORS EDITION 10 INCH VINYL BOX SET

Glendale, AZ heavy metal powerhouse JOB FOR A COWBOY (JFAC) has announced a fall U.S. headlining tour. The trek will launch on December 5 in San Antonio, TX and feature support from Skeletonwitch and Misery Index. The official admat of the JFAC tour can be viewed now at this location.

JOB FOR A COWBOY continues to tour in support of its latest release, Ruination. The album skyrocketed to #42 on the Billboard Top 200 Chart in its first week of release and has met to scads of critical acclaim for its astounding dexterity, scorching attack, sleek arrangement and thundering musical muscle. The itinerary for the JFAC headlining tour is shaping up as follows:

Winter 2010 North American "Ruination" Tour Dates:

December 5 San Antonio, TX White Rabbit
December 6 Dallas, TX The Door
December 7 Houston, TX Warehouse Live
December 9 St. Petersburg, FL State Theatre
December 10 Ft. Lauderdale, FL Culture Room
December 11 Jacksonville, FL Jack Rabbit's
December 12 Atlanta, GA The Masquerade
December 14 Cleveland, OH Peabody's Downunder
December 15 Pittsburgh, PA Altar Bar
December 16 New York, NY Santos Party House
December 17 Philadelphia, PA First Unitarian Church
December 18 Clifton Park, NY Northern Lights
December 19 Richmond, VA Canal Club
December 20 Nashville, TN Rocketown



On November 23, Metal Blade Records will release JOB FOR A COWBOY's Ruination as a limited edition 3x10" colored vinyl / CD box set; the collection housing the album as well as both rare and live material from the award winning band. The special set's track listing is as follows:

a. LP #1: Vinyl color: green
i. SIDE A
1. Unfurling a Darkened Gospel
2. Summon the Hounds
3. Constitutional Masturbation

ii. SIDE B
1. Regurgitated Disinformation
2. March to the Global Enslavement

b. LP #2: Vinyl color: orange
i. SIDE A
1. Butchering the Enlightened
2. Lords of Chaos
3. Psychological Immortality

ii. SIDE B
1. To Detonate and Exterminate
2. Ruination
c. LP #3: Vinyl color: red
i. SIDE A
1. The Matter of Splatter (Exhumed cover song
) 2. Embedded (Live @ 2007 New England Metal & Hardcore Festival)
3. Altered from Catechization (Live @ 2007 New England Metal & Hardcore Festival)

ii. SIDE B
1. Entombment of a Machine (Live @ Unitarian Church, Philadelphia 2009)
2. Unfurling A Darkened Gospel (Live @ Unitarian Church, Philadelphia 2009)
3. Regurgitated Disinformation (Live @ Unitarian Church, Philadelphia 2009)

2.) Bonus CD

1. The Matter of Splatter (Exhumed cover song)
2. Embedded (Live @ 2007 New England Metal & Hardcore Festival)
3. Altered from Catechization (Live @ 2007 New England Metal & Hardcore Festival)
4. Entombment of a Machine (Live @ Unitarian Church, Philadelphia 2009)
5. Unfurling A Darkened Gospel (Live @ Unitarian Church, Philadelphia 2009)
6. Regurgitated Disinformation (Live @ Unitarian Church, Philadelphia 2009)

Recently, JOB FOR A COWBOY unveiled its new music video, for the track "Ruination". The engaging clip presents a visual interpretation of JFAC vocalist Jonny Davy's end-time lyrics via vintage atomic bomb testing and Cold War propaganda films. Check out JFAC's "Ruination" video now at this location.

www.jfacmetal.com
www.myspace.com/jobforacowboy

"Technical proficiency…straightforwardly brutal…the band could become pretty noteworthy" - ROLLING STONE

"An Arizona band with a guttural, brute-force sound descended (indirectly) from hard-core punk." - THE NEW YORK TIMES

"JOB FOR A COWBOY just keeps getting better and better" - THE ONION

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