Articles by "New Song"


Dynamic Harajuku-core sensation HANABIE. have released their latest song, "Bari Bari Buddy," along with its music video. 

Written by vocalist Yukina and guitarist/vocalist Matsuri, the single serves as the ending theme song for the upcoming anime series Reincarnated as a Sword II. Speaking about the song, the band said:

"We’ve created an epic, larger-than-life song that perfectly captures Fran and Teacher’s grand adventure! The chorus is something everyone can sing along to, so I hope you’ll join us and get hyped together.

And through this series, I hope we can all become totally badass Buddies!"

Check out the video right HERE.


POWER TRIP return from what feels like an eternity – today they debut their triumphant and scorching new double single “Precinct 3” / “Scavenger” - the first of many to come. Fans have waited nearly a decade for these new tracks – songs that they thought might never come. And yet somehow, despite an improbable build up and truly unfathomable expectations, Power Trip have managed to deliver, again– this time plotting a new course for the future. The next chapter begins now. 

“Precinct 3” / “Scavenger” are the first new recordings of a new era for Power Trip in the wake of the passing of Riley Gale in 2020. And despite the challenge of living up to the legend they created in their rearview, with a decade of hard-fought wins, a succession of hugely-attended and high profile tours, and eventually a Grammy nomination, “Precinct 3” / “Scavenger” charts a bold path forward. Recorded in Carrollton, TX at Empire Sound, the release marks the band’s maiden voyage with uber-producer Jacob Hansen (Arch Enemy, Volbeat, Amon Amarth, The Black Dahlia Murder, etc.), who maintains the grit of their previous work while adding a new sheen to the band’s fresh ideas. 

“Recording worked out really well for us because he has the knowledge of making these big records, but also comes from the late 80’s extreme metal underground,” recalls drummer Chris Ulsh. “We're tough to please because we want something that sounds current, but most importantly we want it to sound like us, however that comes out.”

“Precinct 3” sees Power Trip roaring back with all of the teeth-gnashing bloodthirst that you’d expect from a newly-untethered feral animal. Anchored by the propulsive drumming of longtime member Chris Ulsh and wildly impressive attack of guitarists Blake Ibanez and Nick Stewart, “Precinct 3” relies on a tremolo-picked riff with jarring start-stops that speeds along at a dizzying 205 BPM, braking for dual riffing and a short bridge section before entering a signature Power Trip half-speed beatdown. The track follows similar lyrical paths as Power Trip’s previously well-read themes, this time examining the dangers of unchecked authority inspired by the current socio-political climate. 

“When we were writing this, we wondered what Riley would have wanted to write about,” recalls founding member and guitarist Blake Ibanez. “So once we decided on that approach, it honestly came really easily– the lyrics were flowing and it just felt like the right way to kick off this new chapter and honor him. I think he would have been stoked to see it come to fruition.”

“Scavenger” is a snarling mid-tempo onslaught that fits firmly in Power Trip’s wheelhouse, sitting comfortably side-by-side with other fan favorites like “Soul Sacrifice” and “Crossbreaker.” Opening with a creepy-crawly riff over a strutting drumbeat, “Scavenger” sees Power Trip venturing into new territory with epic mid-choruses, bridge sections that further explore the deliciously evil main riff, and a mid-section breakdown meant to divorce fans from reality. Frontman Seth Gilmore handles the lyrical content with an unchecked rancor, delving into the phenomenon of people who are willing to attach themselves to another’s hard work, reaping rewards without the dedication or due diligence. 

“There are people out there that ride along and develop some sort of self-importance from association,” admits Gilmore. “And from there, they wield that in the wrong directions. Or maybe even against the same people they leeched it from.” 

“Precinct 3” and “Scavenger” were produced by Jacob Hansen and co-produced by Blake Ibanez. They arrive today via the band’s new label home Blue Grape Music. “Precinct 3” comes with an arresting video directed by Eric Richter. Both singles are available across digital retailers, and will be released as a limited 7” which is available for pre-order on Power Trip and Blue Grape Music’s webstores. There will also be a Record Store Day Black Friday exclusive with alternate artwork available at indie record shops across the country on November 27, 2026 - find your nearest location here. 

Power Trip have been working diligently in the studio for over a year now and these singles are a preview into what’s to come on their forthcoming studio album due in Spring of 2027.

Listen / Playlist / Share “Precinct 3” / “Scavenger” | Watch Video HERE.


German Atmospheric Black Metal band Sternweh released their new lyric video for the song "Sterngeborgen" from their debut album "Sehnflucht". The release was recorded, mixed and mastered in the band's home studio by Christian Witt.

Check out the song linked below:

German Version: https://youtu.be/T9WQgLmryzw

English version: https://youtu.be/Zpv2RL6p3fg

Formed in Germany in 2025, Sternweh is an independent atmospheric black metal and shoegaze project created by multi-instrumentalist and horror/fantasy author Christian Witt, with occasional vocal contributions from his wife, Yvonne. Exploring themes of cosmic longing, escapism, and emotional isolation, the project contrasts crushing guitar walls and desperate screams with fragile acoustic passages and clear vocals.

https://sternweh.bandcamp.com/album/sehnflucht

https://open.spotify.com/album/0QG8BAALVpdJEO7k4694Iq


A Skylit Drive proudly announce their signing with Vaux Records, marking an exciting new chapter for the legendary post-hardcore outfit. 

The independent label is owned and operated by Craig Ericson, founder of Rise Records, and is quickly establishing itself as a premier home for innovative heavy music.

In conjunction with the announcement, A Skylit Drive release their brand-new single, "Half Hearted." The track serves as the first glimpse into the band's upcoming full-length album, Ashes, currently in production and slated for release in early 2027.

Check out the video to "Half Hearted" HERE.


Bullet For My Valentine will release their new album, Social Apocalypse, on March 19, 2027, via Spinefarm. The announcement arrives with a towering new single by the samename. "Social Apocalypse" is the band's first new song in four years; on the title track, Matt Tuck rages against "the end of the world as we know it," when "all hope has faded."

An accompanying video for "Social Apocalypse" is available to view right HERE.

Thematically, Social Apocalypse combines the bare-faced lyrical introspection of people weathered and worn by the modern world with wide-eyed observations on a planet that feels as if it is coming off the rails at every turn. "Everything in life is changing at such a rapid pace, and it is hard to find a great deal of positivity when you look at events in the world," Tuck says. "People are being pitted against each other. The world is full of conflict instead of unity. As a father, I look at what the world is like for younger people, and how completely different it is now."

Working once more with producer Carl Bown — a veteran of four Bullet albums, alongside work with Sleep Token, While She Sleeps, Malevolence and more — each new album track was diligently scrutinized, constructed, and polished to its immaculate final form. "Carl doesn’t let you settle," Tuck notes. "He is always ready to speak up, push and challenge you to be the best version of you."

There are two collaborations on Social Apocalypse – a rarity for Bullet that brings thrilling new dynamics to the record — with Against The Current vocalist Chrissy Costanza stepping in to duet on "In The Absence Of You," and a hair-raising vocal turn from Lorna Shore’s Will Ramos on "I Don't Trust Tomorrow."


TRACK LISTING:

"Social Apocalypse"

"In The Absence of You" (Feat. Chrissy Costanza)

"I Don't Trust Tomorrow" (Feat. Will Ramos)

"Here Without You"

"Acid Rain"

"Fragile"

"CVLT"

"Masquerade"

"Read Between The Lines"

"Enough Is Never Enough"


World-renowned Brazilian death metal force CRYPTA enter a new era with "A Portrait of Decay," the first track to showcase the band's new lineup and offer a glimpse into what fans can expect from their future sound. After announcing Victoria Villarreal as their new permanent guitarist in April this year, completing the four-piece lineup alongside Fernanda Lira (bass, vocals), Luana Dametto (drums), and Tainá Bergamaschi (guitar), the band now unleashes this brand new track, building anticipation for CRYPTA's next chapter. "A Portrait of Decay" hits like an aggressive death metal steamroller while exploring dissociation as a means of enduring pain and suffering.

The track was recorded in Belgium in June this year and engineered, mixed, and mastered by Yarne Heylen at Project Zero Studio. The artwork was created by Brazilian artist Marcos Miller. "A Portrait of Decay" is out now worldwide on all major streaming platforms and as a strictly limited 7" vinyl release.

All of this is brought to life by an intensely aggressive yet atmospheric and melancholic instrumental attack, paired with the spine-tingling vocals of Fernanda Lira, one of the most outstanding artists in today's extreme metal scene. The track arrives just in time for CRYPTA to kick off their North American tour with Arch Enemy, The Black Dahlia Murder, Septicflesh, and Thrown Into Exile, beginning on October 5 in Riverside, CA.

"A Portrait of Decay" is accompanied by an official music video that, at first glance, may seem unfamiliar compared to the song's sonic intensity. The script for the video was written by CRYPTA's drummer Luana Dametto.

"The video clip is both an almost poetic contrast to the harsh death metal sound but also a cinematic depiction of the lyrics: An ethereal and almost dream-like landscape that represents someone's true state of being, clear thoughts and and light emotions, that slowly dissipate with the passing of time and changing of surroundings, and with the night and a much darker environment, after a while, feelings of being adrift and astray arise, showing that our conditions and time can directly change the way we see ourselves and the way we feel and interact."

Watch the official music video for "A Portrait of Decay" HERE. 


Today, THE 69 EYES are thrilled to unveil their new single “Brandon Lee (Forma Acustica),” out now via BLKIIBLK. 

Originally featured on ‘Blessed Be,’ the song was first released in 2000 and became an international success for the band. Its title refers to the late American actor Brandon Lee, who played the lead role in the dark cult classic “The Crow” (1993).

The single was mixed by acclaimed American producer Matt Hyde, who also produced THE 69 EYES’ ‘Back In Blood,’ recorded in Los Angeles in 2009. Known for his work with Slayer and Deftones, Hyde most recently mixed Megadeth’s self-titled album ‘Megadeth’ (2026), which reached No. 1 in the United States.

The music video for the track was filmed at Suomenlinna, Helsinki, and directed by Elias Ryynänen. Paparazzi models Corinna Puleo and Lotte Vainio bring timeless catwalk glamour to the band’s gothic rock world, evoking the turn-of-the-millennium aesthetic.

The single is the first taste of an acoustic record, set for release in early 2027. THE 69 EYES will also bring their melodic side on tour in February next year, with a nationwide concert hall tour across Finland.

Watch the Music Video for “Brandon Lee (Forma Acustica)” HERE.


Industrial rock/metal band, OUR FRANKENSTEIN has just unveiled their new single and video for "Jealous God" in anticipation of their forthcoming EP, Comedy.

Addressing envy and devotion: OUR FRANKENSTEINn tackle spiritual imprisonment. "Jealous God" harkens back to the old gnostic belief that our reality is secretly under the control of a malevolent demiurge named, Yaldaboath. The song and music video contrast the false god's wrath with real world catastrophe in a style that could only be viewed as satire.

The "Jealous God" video invites the question that if our fate is in the hands of the powers that be...what happens if we (the people) obtain the crown? The video was shot by Pablo Salamone and directed / edited by Ryan Laney. 

Check out the video single HERE.

Stream & support OUR FRANKENSTEIN:

https://ourfrankenstein.com

https://www.tiktok.com/@ourfrankenstein?_t=8j2pqPs8Zjv&_r=1

https://open.spotify.com/artist/1BC23M9n5VgIU9z5CspazH

https://www.instagram.com/ourfrankenstein/

https://www.facebook.com/OurFrankenstein


International Symphonic Black Metal band MorteMutta released a new single "Hrungutsutr". The release was recorded at "Eijefjorden Studios" and mixed/mastered by Chris Highlander.

Check out the single linked below:

https://open.spotify.com/album/4PrP1eSGH3HlYgZcNifYfs

Bridging the ancient fjords of Norway and the neon landscapes of Japan, MorteMutta is a "Fjordmetal" project formed in 1999. Founded by members DC (Norway) and JJ (Japan), the duo crafts a cinematic universe combining Nordic and Japanese folklore, multilingual vocals, and unconventional instrumentation like the koto and roaring chainsaws. MorteMutta focuses on world-building and mythological storytelling over standalone songs. An infamous, defining moment in their history was the complete destruction of their early album masters by JJ.


American Post-Black Metal band Eusapia has released their new single "Relapse", the lead single from their upcoming two-stage release concluding with "Mercy" on December 21. Recorded in the band's home studio and mixed/mastered by Somnium Recording, the track blends progressive DSBM, post-rock, and blackgaze to explore themes of addiction and Pacific Northwest isolation. A portion of physical merchandise proceeds will directly support regional overdose prevention and low-barrier harm reduction.

Check out the single linked below:

https://eusapiatheband.bandcamp.com/track/relapse

https://open.spotify.com/album/00ExNn0aAhhYMhnERyeGVJ

Formed in Washington state in 2013 and re-emerging from the foundations of the solo project "Somnium", Eusapia is a studio-focused blackened post-metal project based deep in the Cascade Mountains. Driven by Somnium (bass/vocals), Cleopatra the Alchemist (guitars/vocals), Deenie (drums), and guitarists Chazdyn and Frank Keeler, the band weaves desolate post-black metal, doom dirges, blast beats, and shoegaze atmospheres into a rain-soaked Pacific Northwest soundscape. Their evolving discography includes the "Formless" EP (2024) and the "Thin Cities / Desert Festival" EP (2026).


Master unleash the title track from their new album "Among the Seeds of Death"! Master delivers old school Death Metal at its purest! "Among the Seeds of Death" is available on all streaming platforms now.

Listen to "Among the Seeds of Death" now:

https://youtu.be/OLXsycx56oQ

Pre-order "Among the Seeds of Death" CD/LP/MC here:

https://master.lnk.to/amongtheseedsofdeath


Earlier this summer, FEARLESS RECORDS welcomed iconic, '00s band FROM FIRST TO LAST to its global roster.

Today, the band is thrilled to announce the October 2 release of the new EP, titled WE WERE BLEEDING ANYWAY. Pre-order it/pre-save it HERE.

To herald the news, the band has also shared the video for new single "THEY SAID YOUR GHOST WAS A PROMISE." Watch it HERE.


FALLING IN REVERSE return with their first new song in over a year — and it's a powerhouse that can shift tectonic plates.

Today, the band shares the new single "JOSEPH," featuring guest vocals from two hard rock genre titans — Slipknot's Corey Taylor and System of a Down's Serj Tankian. It's a major moment and marks the first time these two iconic voices have performed together on a song.

Watch the Jensen Noen-directed video, in which Taylor and Tankian also appear, HERE. 


Reigning in hell, screaming like a storm, MIDNIGHT's obscenely intense aural display of lust, filth, and sleaze ripped the Los Angeles faithful a new one at two sold-out shows on May 28th-29th, 2026. As part of MIDNIGHT's Satanic Royalty 15th Anniversary World Tour, the incendiary gigs at Hollywood venue Knucklehead were recorded in all their sweaty, filthy glory, resulting in Satanic Attack Live!, set for release on November 6th via Metal Blade Records.

Recorded by Mark Borders with mixing/mastering done by Zach Rippy, Satanic Attack Live! captures ten tracks off 2011's landmark Satanic Royalty LP - live and in the original album running order - plus five additional songs, including "Shock Til Blood," "T.A.P.," and "Fucking Speed And Darkness."

"Did I ever think there would be a MIDNIGHT live, in concert record album? Haha shit, naw!," says the band's aural architect, Athenar. "But if you're reading this, you are probably holding a copy in your bloody semen/leukorrhea-dripping paws. With the help of D.K. Vagslay, Iron Possessor, and about 300 dirt merchants and headbanging Hollywood sleazeballs, it was possible to concoct such a document of disgust."

Find pre-orders at: metalblade.com/midnight

 Watch/stream MIDNIGHT's "You Can't Stop Steel" HERE.


Satanic Attack Live! Track Listing:

01. Unholy And Rotten

02. Evil Like A Knife

03. Satanic Royalty

04. You Can't Stop Steel

05. Rip This Hell

06. Necromania

07. Black Damnation

08. Lust Filth And Sleaze

09. Violence On Violence

10. Savage Dominance

11. Holocausting Deafening

12. Shock Til Blood

13. T.A.P.

14. Fucking Speed And Darkness

15. F.O.A.L.


Young Medicine announced they have officially signed a new multi-album deal with FiXT, marking a new chapter for the genre-mixing band and their relationship with the label.

The partnership kicks off with the re-release of "Immolator," a high-energy collision of hard rock, metalcore, and alternative metal that pairs retro-inspired synthesizers with heavy guitars, rapid-fire rhythms, and a passionate vocal performance that erupts into explosive screams. With its combination of nostalgic electronics and modern heaviness, “Immolator” finds Young Medicine pushing their signature fusion of sound into even more aggressive territory while setting the stage for a new era of releases with FiXT. 

Rising synthwave rockers Young Medicine pull the best from diverse genres to build a carefully constructed music identity that defies simple categorization. Thumping double-bass beats and crunchy guitar riffs hammer out hard-hitting rhythms while chorus lines partner with sparkling retro synth tones for a stunning mix of audio ideas. If synthwave and metal got together and started a boy band, the result might sound something like Young Medicine, who have put themselves on the map as pioneers for a new era by bringing rockstar swagger to the retrowave movement. 

"Immolator" is out now on all platforms from FiXT.

Watch the “Immolator" Visualizer HERE.


Thrash metal powerhouse HAVOK is proud to share the new single "The Ultimate Weapon," alongside an official video, available below via BLKIIBLK. 

The band commented: "We're excited to debut this new song right before our two headline tours begin. We'll be playing 'The Ultimate Weapon' live and look forward to hearing crowds shout the choruses with us. Driving riffs, rock 'n' roll attitude, and anti-authoritarian lyrics. This is what heavy metal is all about. This is HAVOK.”

Watch the Official Video for "The Ultimate Weapon" HERE.

Check out the dates for the U.S. tour listed below!

United States Fall 2026: w/ Hellripper, Slackjaw, Xoth

TOUR DATES:

October 21, 2026 - Salt Lake City, UT - Metro Music Hall

October 22, 2026 - Boise, ID - Shrine Social Club Ballroom

October 23, 2026 - Seattle, WA - El Corazon

October 24, 2026 - Portland, OR - Dante's

October 26, 2026 - Roseville, CA - Goldfield Trading Post

October 27, 2026 - Berkeley, CA - Cornerstone Berkeley

October 28, 2026 - Los Angeles, CA - The Regent Theater

October 29, 2026 - Fresno, CA - Strummer's

October 30, 2026 - Las Vegas, NV - Backstage Bar & Billiards

October 31, 2026 - Mesa, AZ - Nile Theater

November 2, 2026 - Dallas, TX - AM/FM

November 3, 2026 - Austin, TX - Come And Take It Live

November 4, 2026 - Houston, TX - Warehouse Live Midtown

November 6, 2026 - Atlanta, GA - Masquerade (Hell)

November 7, 2026 - Nashville, TN - Basement East

November 8, 2026 - Asheville, NC - Eulogy

November 9, 2026 - Richmond, VA - Canal Club

November 11, 2026 - Baltimore, MD - Baltimore Soundstage

November 12, 2026 - Harrisburg, PA - Capital City Music Hall

November 13, 2026 - Boston, MA - Brighton Music Hall

November 14, 2026 - New York, NY - Racket

November 15, 2026 - Lakewood, OH - Mercury Music Lounge

November 16, 2026 - Detroit, MI - Catacombs at the Sanctuary

November 18, 2026 - Chicago, IL - Reggies

November 19, 2026 - Kansas City, MO - RecordBar

November 20, 2026 - Denver, CO - Gothic Theatre


Today SLIPKNOT unleash “Arsenal”, the first new song from the band in over three years.  The anthemic release arrives with a music video directed by M Shawn Crahan - (clown), and stars Jackson White.

The culture of Slipknot has spread much farther than anyone could have predicted when nine guys from Iowa put on masks and uniforms, and began challenging the globe to keep up. The band’s influence can now be seen and felt in the underground, in those artists headlining rock and pop festivals across the world, and virtually everywhere in between. Across genres and subgenres, artists the world over are following in the footsteps that lead out of the US Midwest, and onto stages around the world. And all without an ounce of compromise, to anyone.  

“Arsenal” deploys nearly every weapon Slipknot owns: pummeling dynamics, razor sharp vocals and lyrics, knifing keyboards, and riffs that can only be measured in tons. “I fought a f*cking god and the god lost,” frontman Corey Taylor proclaims, ripping his way across the track with a self-aware braggadocio, melding metal, punk and hip hop verses while summoning his roar from the seventh circle of hell. He’s serious when he throws off the weight of trend-chasing and spits, “I know I’m a hack and a has-been, but motherf*cker I’m a .45 and not a Mach 10,” but he’s also playing around; ditto when he screeches the song to a halt, shouting at his bandmates and bulldozing the wall of sound they’ve been building. There’s a focused, compressed brutality to this song that displays the firepower they’ve honed over their career. 

Check out the new single right HERE.

Contact Form

Name

Email *

Message *

Powered by Blogger.
Javascript DisablePlease Enable Javascript To See All Widget