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Los Angeles, CA – The producers and creative team members of the smash Broadway hit ROCK OF AGES will team up with The GRAMMY Museum for a free educational program which will provide a behind-the-scenes look at the musical’s Los Angeles origins and journey to Broadway. This one-of-a-kind special event will take place at The GRAMMY Museum in the Clive Davis Theatre on Thursday January 13th, 2011 at 7:30pm. This event is FREE and open to the public. To reserve your spot, please RSVP to education@grammymuseum.org.

ROCK OF AGES panel members will include director Kristin Hanggi, book writer Chris D’Arienzo and Producers Matthew Weaver, Janet Billig Rich and Hillary Weaver. In addition to discussing the production’s past, present and future, audience members will have a chance to ask the panel members questions.
The GRAMMY Museum at L.A. Live is located at 800 West Olympic Boulevard on the corner of West Olympic Boulevard and South Figueroa. For more information on parking and how to get there, visit www.GrammyMuseum.org.

ABOUT THE LOS ANGELES PREMIERE -- PANTAGES THEATRE:

The five-time Tony Award nominated smash-hit musical ROCK OF AGES will mark its Los Angeles premiere at the Pantages Theatre for a strictly-limited 2 week engagement, February 15 – 27, 2011.

American Idol finalist Constantine Maroulis will reprise his acclaimed performance as Drew, the role that garnered him a Tony Award® nomination as Best Actor in a Musical.

ABOUT THE SHOW:

It’s 1987 on the Sunset Strip, a small-town girl met a big-city dreamer – and in L.A.’s most legendary rock club, they fall in love to the greatest songs of the ‘80’s. It’s ROCK OF AGES, a hilarious, feel-good love story told through the hit songs of iconic rockers Journey, Styx, REO Speedwagon, Foreigner, Pat Benatar, Whitesnake, and many more.

TICKETS AND PERFORMANCE INFORMATION:

Tickets for ROCK OF AGES may be purchased online at www.BroadwayLA.org or by phone at 1-800-982-ARTS(2787). Tickets may also be purchased in person at the Pantages Box Office and all Ticketmaster outlets. The Pantages Theatre is located at 6233 Hollywood Boulevard, just east of Vine Street, and the box office opens daily at 10am.

The performance schedule for ROCK OF AGES is Tuesday through Friday at 8pm, Saturday at 2pm & 8pm, and Sunday at 1pm & 6:30pm.

Single tickets for ROCK OF AGES range in price from $25 - $90. Prices are subject to change without notice.

For more information on ROCK OF AGES, please visit www.RockOfAgesMusical.com.
For more information about ROCK OF AGES’ Los Angeles engagement, please visit the Pantages Theatre’s official website, www.BroadwayLA.org.

Las Vegas, Nevada-based post-hardcore band ESCAPE THE FATE has just released the "Issues Remix EP" via DGC/Interscope. The EP boasts hot remixes of "Issues", the first single from the group's recently released self-titled album.

"Issues" cracked the Top 25 at Active Rock and continues to climb both the Active Rock and Alternative Rock radio charts. The "Issues Remix EP" features remixes by Jakwob (YEAH YEAH YEAHS, LILY ALLEN), LA Riots (TIESTO, THE TING TINGS), Wolves At The Gate (THE CURE) and Does It Offend You, Yeah? (MUSE, THE RACONTEURS, BLOC PARTY). Fans have the unique opportunity to create their own remix of the hit song via Indaba.com for a chance to win $1,000 and be featured on EscapeTheFate.com. The contest runs January 11 through February 8, and the winner will be announced on March 8.

ESCAPE THE FATE has scheduled a massive amount of North American headlining tour dates that begin on January 20 in Tucson, Arizona and extend all the way into March, finishing on the 12 of that month in San Diego.

ESCAPE THE FATE's self-titled album sold 18,000 copies in the United States in its first week of release to debut at position No. 25 on The Billboard 200 chart. The video for the CD's first single, "Issues", was directed by Paul R. Brown, who has previously worked with STONE SOUR, SLIPKNOT, MÖTLEY CRÜE, KORN, GODSMACK and AVENGED SEVENFOLD.


Asking Alexandria is heading out on the "Reckless and Relentless" tour, with support from Emmure, Chiodos, Miss May I, Evergreen Terrace, and Lower Than Atlantis. Dates enlisted below;

Mar 11 Sayreville, NJ @ Starland Ballroom
Mar 12 Allentown, PA @ Crocodile Rock
Mar 13 Cleveland, OH @ House of Blues
Mar 14 St. Louis, MO @ The Pageant
Mar 16 McAllen, TX @ Las Palmas Racepark (Never Say Never Festival)
Mar 17 Austin, TX @ SXSW
Mar 18 Austin, TX @ SXSW
Mar 19 Dallas, TX @ The Palladium (South By So What Fest)
Mar 21 El Paso, TX @ Club 101
Mar 22 Phoenix, AZ @ Marquee Theatre
Mar 24 Sacramento, CA @ Ace of Spades
Mar 25 Pomona, CA @ Fox Theatre
Mar 26 Las Vegas, NV @ EXTREME THING FESTIVAL
Mar 27 Reno, NV @ Knitting Factory
Mar 28 Boise, ID @ Knitting Factory
Mar 29 Seattle, WA @ Studio Seven
Mar 30 Vancouver, BC @ Rickshaw Theatre
Apr 01 Calgary, AB @ MacHall Ballroom (University of Calgary)
Apr 02 Edmonton, AB @ Avenue Theatre
Apr 04 Salt Lake City, UT @ The Complex
Apr 05 Denver, CO @ Summit Music Hall
Apr 06 Omaha, NE @ Sokol Underground
Apr 09 Toledo, OH @ The Jamboree
Apr 10 Louisville, KY @ Expo Five
Apr 12 Nashville, TN @ Rockettown
Apr 13 Birmingham, AL @ Zydeco
Apr 14 TBA
Apr 15 Greensboro, NC @ Greene St
Apr 16 Lancaster, PA @ Chameleon Club
Apr 17 Albany, NY @ Northern Lights


Decrypting themselves as "Deathcore. Epic. Evil." Margin of Error emerges from the Mid-West and have impacted audiences each and every time. The band's focus is to re-invent itself by creating music so epically heavy that no other band would even dare touch it. By doing this Margin of Error has gone off to release not one but two releases both of which were self-released, "Destroy.Create.Repeat." and "What You Are About To Witness" is just the glimpse into the demonic realm that is Margin of Error. Frontman vocalist Travis Meyers spoke to me about the band's upbringings, where they are now, and where they want to end up.

1. How did the band pick the name Margin of Error, does it have a meaning?

Travis: When I came up with the name for this project, it came to me out of the blue. I really thought it fit me as an artist. Margin of Error is an obvious term in the mathematical world, but I saw it as the people or ideas being left behind by society. The free-thinkers are the Margin of Error in a world where all we see are rules based from religion and government. Where does that leave the people who see things differently? They become the Margin of Error.

2. Have there been any changes since you first started your band or changes you would like to make now or in the future?

Travis: Change is part of any creative outlet and this band is no different. There have been many things that have changed over the years from the bands lineup to the writing process and beyond. Most of the changes though have been put in place for a reason. Adding and subtracting variables changes the finished ideas and I am constantly finding new and challenging ways for me and my band to write. It may start with a riff, a lyric, a title, a concept, etc. We are about pushing ourselves and pushing the envelope at all times.

3."Destroy.Create.Repeat." and "What You Are About To Witness" were both self-released, why did you want to go in this direction?

Travis: Over the years we have gotten a few offers from labels, but I didn’t feel like they would have aided us in any way. I am a very hands on type of person when dealing with Margin of Error and I have my hands in every decision creatively and from a business standpoint. This is not to say I am opposed to labels, but the right one hasn’t approached us yet. We do things a certain way and for a certain reason at all times and if a label wants to back our heavy, evil music, I am all ears.

4.Do the albums differ? Which of the two would you say is your best work to date?

Travis: For me these two records show how diverse we are as a band yet we continue blur the lines of genre in an interesting manner. What is interesting about these records is that they are so different, but they both have that Margin of Error feel to them still. I don’t know if I can say what our best record is to date because without one you wouldn’t have the other, but I will say we are having an amazing time killing audiences with the new material on “What You Are About to Witness.”

5.Can you give us a brief description of your new CD "What You Are About To Witness".

Travis: I came up with the concept for WYAATW while watching some very disturbing films. Films that blurred the line between real deaths and works of fiction. I decided that the basis of this record was going to be from the point of view of a serial killer who taped his victims during their most vulnerable moments. The idea of this killer creating these snuff styled films and having a collection of VHS tapes in which he has recorded each of his killings. I always found a thin line between an artist and a serial killer and I wanted to explore that further. That’s what this record was all about. It’s a concept record, but it still was extremely personal to me because of how much of myself I put into that relentless killer.

6. What you are about to witness.....?

Travis: The title crept into my brain as almost a warning to the audience and listener. When you watch a film and you read “what you are about to witness is true” there is an automatic fear that this could happen to you. I wanted to make the audience as uneasy as possible during the entire run time of the record. You find an unmarked VHS tape. Your curiosity gets the best of you so you put it in. What you see on it is a disgusting display of murder and the complete destruction of humanity. You are viewing the killers work. This is his masterpiece. This record is the car accident you can’t turn away from.

7. Who would you like to work with in the future?

Travis: I am a very private person in terms of how I work and who I work with. My band would tell you that they don’t hear an idea from me until I have fully explored it from every angle and I feel it’s ready and complete. I would work with anyone who shares my passion for breaking down walls of what we can and cannot do as artists. It’s about making people think and sending a message. If that means we leave a path of destruction throughout this journey, so be it.

8. What bands do you currently like listening to?

Travis: Lately I have been listening to Dimmu Borgir, Bleeding Through, Deftones, The Acacia Strain and Behemoth have been frequenting my CD player lately. Yes, I still enjoy putting a CD in my CD player and do not own any type of mp3 device.


9. Which would you say has been your biggest error in your life?

Travis: I think sometimes the closest people around me have to suffer because of how much energy, time and money I put into this band. This band and outlet is my entire existence and sometimes it hurts the people close to me. I can’t separate myself from this band and it can pose problems, but it is also one of the only things I have ever found satisfying.

10. What are your future tour dates, so our listeners in the states can come out to see one of your shows?

Travis: Right now we are working hard on new material and only have one confirmed date and it is Friday, March 4th at the Phantasy Concert Club in Lakewood, Ohio. We will be touring the full US multiple times in 2011 though. Stay tuned for more confirmed tour dates soon.

11. When you perform do you have songs you would perform more frequently? Do you play any covers?

Travis: Yeah, we definitely perform certain songs more frequently. I think some songs translate better than others live, so we focus on the ones that the audience and us love the most. We do not play any covers.

12. What is in store with the group in 2011?

Travis: We are working hard on a bunch of different things at the moment. We should be touring a good chunk of the year and are looking for the right label to put out our new record that will surely be our defining moment. We have many tricks up our sleeve.

13. Thank you for taking the time to chat!

Travis: Thank you for having me on here. Thanks to everyone who is reading this and especially the people who have followed Margin of Error throughout the years! The next chapter is coming!

-Travis Meyers

Check out Margin of Error at:

Austrian death/black metallers Belphegor have been together for 20 long years, over the course of their musical careers, they've released nine studio albums, four demo/EP releases, and a live album, along with a series of music videos to complete the whole package deal. But as it turns out the band's ninth release "Blood Magick Necromance", is their heaviest yet. Just two years after the release of "Walpurgis Rites – Hexenwahn", the band went off to write and record this ninth installment and as it turns out, it's just as brutalizing as any other album that they've released. Just a lot more aggression has been thrown on along with heavier guitar structure in the solo context and lyrical contents that evens it all out.

"Rise To Fall And Fall To Rise", "Impaled Upon The Tongue Of Sathan', and "Possessed Burning Eyes", are all very structured pieces because of the guitars, drums, and vocal chords working together helps etsblish a well rounded piece. Like the solo crushing work done on "Rise To Fall And Fall To Rise", it's well thought out and decrypts a similar styling to that of Behemoth's. Whereas "Impaled Upon The Tongue Of Sathan", tends to capture a solid mixture of Dimmu Borgir meets Skeletonwitch as far as the drumming tactics go, vocals are high pitched yet eerily creepy that keeps the music at bay.

Now “Possessed Burning Eyes”, brings the music to a mellow yet steady pace because the instruments are toned down which makes the music more easy going than its previous counter parts. As bassist Serpenth states, ""[The new material is] Belphegor to the bone — nine monumental, epic arrangements. The sound collages have a haunting, ritualistic atmosphere. Werk IX will be the longest playing Belphegor album yet."

Having said that, there is no telling as to what this album entails except for a full blown ride straight out of hell. 


German thrash metal masters DESTRUCTION will be returning to North America in support of their new studio album, Day Of Reckoning, due out in the U.S. and Canada on March 8th, 2011 and on February 18th in Europe. Special guests on the tour are Australia’s Destroyer 666.

DESTRUCTION bassist & vocalist Schmier shares the following on the upcoming trek:

"It feels fantastic to return to North American shores for the first time after our return to Nuclear Blast with a new album as brutal as Day Of Reckoning on our backs. This is the strongest material we have written since [2001’s] The Antichrist and we are burning to present these shredding songs and introduce our new 6.6 foot tall drum animal VAAVER live! Of course, all the DESTRUCTION classics will be there; we know what our faithful fans want and we will serve them well! You will feel the force of the strongest line-up we have ever had. Experience the true power and the rigorous precision of German Thrash Metal live this spring! Can't fuckin' wait!"

Confirmed dates for the “North American Reckoning 2011” tour are as follows:

04/27/11 STUDIO SEVEN - SEATTLE, WA
05/03/11 ORIENTAL THEATER - DENVER, CO
05/05/11 REGGIE’S ROCK CLUB - CHICAGO, IL
05/07/11 HARPO’S - DETROIT, MI
05/09/11 FOUFOUNES ELECTRIQUES - MONTREAL, QUEBEC, CANADA
05/10/11 BOURBON STREET - BALTIMORE, MD
05/11/11 B.B. KING’S - NEW YORK, NY
05/13/11 JAXX - WEST SPRINGFIELD, VA
05/17/11 MUG SHOTS - AUSTIN, TX
05/20/11 GALAXY THEATRE - SANTA ANA, CA
05/21/11 THE KEY CLUB - LOS ANGELES, CA

Additional dates will be announced soon.

“The Price,” a new song from Day Of Reckoning, has been posted on the band’s MySpace page. States Schmier: “This song expresses the spirit of Day Of Reckoning at its best: faster, more raw, and tighter. One of my favorite tracks on the album because you can feel the fire and the joy of playing! The band feels the old-school aggression again and this song is like a rocket: UN-FUCKIN-STOPPABLE!”

View a video trailer below;


Day Of Reckoning is the follow-up album to 2008’s D.E.V.O.L.U.T.I.O.N.

Visit DESTRUCTION online at www.DESTRUCTION.de, www.myspace.com/OFFICIALDESTRUCTION, and www.twitter.com/DESTRUCTION.

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